By David Athey Except when Mom handed us the phone (“say hi to Grandma”) our souls never felt called to be wired or digitized. The wild was unscreened, and free woods across the road was where our feet scrolled into words made vines and trees, the tallest was a fire- scorched pine named Ancient that counted our days in rays of light in the crown. And our faces were unknown to self- ies, the breeze giving sway, swaying to what felt like all the dangers of the sky dancing with all the real drop-dead gorgeous heavens. David Athey’s poems, stories, essays, and reviews have appeared in various literary journals and magazines, including Christianity & Literature, Iowa Review, Dappled Things, Berkeley Fiction Review, Windhover, Relief, Time of Singing, and Harvard Review. Athey lives in South Florida on a small lake with large iguanas. His books, including Art is for The Artist, are available at Amazon.
David's other work on Foreshadow: That Poet (Poetry, October 2024)
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