By Casey Dwyer That which was from the beginning Which we have seen with our eyes Which we have heard with our ears Which we have touched with our hands In darkened rooms, in Capernaum At the seaside, Jerusalem Along paths we’d walked All our lives, he was there Footfalls on fallen soil Heart and hands and eyes of clay But behind, and in, and under each variegated moment Not just man, but God as man, God and man We cannot but share what we’ve seen and heard. I Tabernacled Darkness, pierced by The Light that first looked on me. Eyed eternity eyeing me From ages past, peering through the black And the darkness has not overcome it. My sight, fooled by the apparent contradiction Of Eternal Eye contained in mortality The manger bed, the infant cry, the brutality Of a birth hidden, a life hidden, flying away To Egypt, to the desert, to the wilderness To Nazareth. Was his Light hidden? Yes—but only as the kiln Hides the fire. Moses saw a glimpse of this fire But here, in Him, it stands entire Kilned with hope of healing every eye And breaking upon the darkness of each place we’ve seen Lost and desecrated by the blinded hours; He comes, and stands, and looks again Eternal Light sees through mortal eyes. II Have You Not Heard? Voice heard in upper room Of him who first Spoke me. He, who is the voice of creativity No, creation itself, The One who’s speaking Is both speaking as knowing, And speaking as creating Cognition and recognition We did not recognize his voice Though it rang, even with his accent, Of a song that was sung before time itself And a knowledge deeper than sun and moon A language clearer than the birdsong And the dew in the valley. When I hear that voice I start, dimly, to comprehend That he is speaking me still, addressing me And dressing me With clothes that don’t fit now, but will In a place where his speaking and what I hear will be one. III Touch, Thomas Thomas, reach out and touch Him who first laid his hand on thee. Go, don’t hide, put out your hand For he feels, even now, your questions Demands, lines drawn, objections That will only be satisfied if you feel That he feels still, no ghost But man, still full of flesh and bone. If you dare, you’ll feel both flesh and bone In wounds on wrist and side, he urges you-- Feel their heat, Living heat, And touch the blood Let it stain your hand. That’s Mary’s blood, and ours now too As it fell, a sign upon the skull of earth. It united me to her, and us to him, And as it touched the ground, soaked in A hidden memory, waiting for the day When it will turn to gold what now is clay. IV Patmos All these years later I’ve seen and felt ten-thousand deaths, All who have seen and heard are dead. Here I am, alone, listening but unable to hear Exiled here to Patmos’ cave Damp walls echo my sorrows. Behind, I hear that Voice again, Sound of many waters A hand on the shoulder Old eyes catching fire-- Behold! He who has ears to hear, Let him hear! Old eyes are best suited to receive revelation For old men are sailors awaiting ships. And now the world is old and waits with me. Look! Spirals in the highest heaven And at their centrifugal core, a throne And upon the throne, a Lamb Still blood and bone, both God and man With words as swords, heat and light Enfolding as it was, is, and will be forever Into one motion, presence, and eternal will. There, one word fills a page To touch is to lay hold And behind, and in, and under each variegated moment The Kiln no longer hides, but reveals the Fire Which soon shall burn new not just soul and desire But us entire: Eye, and ear, and hand, and will. Casey Dwyer is a pastor, poet, and painter living in Monroe, Wisconsin, with his blessed wife, Danielle. He pastors Lena Free Church in Lena, Illinois, where he relishes in the art of preaching and pastoring saturated in the stories of real people and real places. At home you’ll find him painting in oils, listening to Dante and rejoicing in his garden. Oh, and above all things, laughing with Danielle. You can read a sliver of his work at Ekstasis Magazine or on his blog, revivalrenewal.com.
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By Bryant Burroughs ‘Hail, space for the uncontained God’ From the Agathistos Hymn, 6th century The common womb of Mary became “the home of God”, Creator fitting into the woman he had made, uncontained God taking root in a maid whose womb was filled without the touch of man, the seed inside somehow Spirit, to come forth as Jesse’s Shoot. The very fruit of her womb was Very God. And she would nurse at her breast the Hope of Nations, who came from God’s heavens into the New Eve’s womb, to wrest us from the curse. Bryant Burroughs is a poet and short story creator whose work has appeared in online literary sites such as Agape Review, Clayjar Review, Pure in Heart Stories and Faith and Hope & Fiction. His first collection of poetry is published as Where Do My Words Go? Bryant lives with his wife Ruth and three cats in Upstate South Carolina.
Bryant's other work on Foreshadow: The Widow Whose Son Lived (Fiction, July 2022) The Youngest Day (Poetry, November 2022) The Widow's Psalm (Poetry, February 2023) The Leper and the Healer (Fiction, May 2023) Pearls of Ignatius (Poetry, August 2023) Song of the Star (Poetry, December 2023) A Long Walk Toward God (Poetry, January 2024) All the Dead Heard His Voice (Poetry, March 2024) Letters from Heaven (Poetry, June 2024) Joseph's Psalm (Poetry, February 2025) Song of the Stable (Poetry, February 2025) God of Long Journeys (Poetry, February 2025) By Bryant Burroughs You came afar to this place, from unseen to sight, from worship to scorn from pure light to dark. “That’s where I want to go,” you must have told the Father, for You, the very God-Self, made your way to this infected sphere in which few expected you and none bid you come, for we fear a God too near. In your train trailed bits of yourself: grace, mercy, hope, endless springs of love. And, in your return to joy-filled Heaven, in your train are grateful souls. Bryant Burroughs is a poet and short story creator whose work has appeared in online literary sites such as Agape Review, Clayjar Review, Pure in Heart Stories and Faith and Hope & Fiction. His first collection of poetry is published as Where Do My Words Go? Bryant lives with his wife Ruth and three cats in Upstate South Carolina. Bryant's other work on Foreshadow: The Widow Whose Son Lived (Fiction, July 2022) The Youngest Day (Poetry, November 2022) The Widow's Psalm (Poetry, February 2023) The Leper and the Healer (Fiction, May 2023) Pearls of Ignatius (Poetry, August 2023) Song of the Star (Poetry, December 2023) A Long Walk Toward God (Poetry, January 2024) All the Dead Heard His Voice (Poetry, March 2024) Letters from Heaven (Poetry, June 2024) Joseph's Psalm (Poetry, February 2025) Song of the Stable (Poetry, February 2025) By Bryant Burroughs Sing ye, womb of Mary: the capacious God who contains all things has formed into flesh within your confines. Your Yes to an angel’s word brought forth God’s Word, God unborn, then first-born, the very Yes of God. Sing ye, red-stained straw, debris of common grass cast into troughs as feed for beasts. You throw-aways became a soft bed for the babe to drop from the womb and to know, “I am here!” Sing ye, stable walls. You recite forever the mother’s birth-screams, the baby’s howls, the father’s tears. A birth-place is a noisy place, even for God. We sing with joy this night to welcome God’s Delight. Come all, come all, Come to his light. Bryant Burroughs is a poet and short story creator whose work has appeared in online literary sites such as Agape Review, Clayjar Review, Pure in Heart Stories and Faith and Hope & Fiction. His first collection of poetry is published as Where Do My Words Go? Bryant lives with his wife Ruth and three cats in Upstate South Carolina.
Bryant's other work on Foreshadow: The Widow Whose Son Lived (Fiction, July 2022) The Youngest Day (Poetry, November 2022) The Widow's Psalm (Poetry, February 2023) The Leper and the Healer (Fiction, May 2023) Pearls of Ignatius (Poetry, August 2023) Song of the Star (Poetry, December 2023) A Long Walk Toward God (Poetry, January 2024) All the Dead Heard His Voice (Poetry, March 2024) Letters from Heaven (Poetry, June 2024) Joseph's Psalm (Poetry, February 2025) By Bryant Burroughs I feared I would live alone, unsoftened by a woman’s love. Then she sang her song into my crusted heart. How could one so young and kind love me, a man of hardened hands? I imagined our days ahead: marriage, daughters as fair as she, sons to be workers of wood like me. Only you, God, could work such a wonder of love, to wrap she and I together for life. I thanked you, God, every time I looked into her eyes. Then the unthinkable – pregnant! How can this be? The one I trusted is with child. And her story! That it was you who touched her womb; that you are the life-giver of her first-born, not me. I, her betrothed, wasn’t needed. I wasn’t needed to give her our first-born child. You and she have shamed me. And now your Angel? “Don’t be afraid to marry her,” he said. God, wasn’t it enough that I was betrayed? That she made me an old fool? Wasn’t it enough for me to put her aside and give her up without punishing her? Now you ask too much of me. Do you always give a gift in one hand and a trial in the other? I’ll take the gift of loving her as wife, and I will do so with all my heart. Help me to be as strong-hearted with my Son, the Son you’ve given us. Bryant Burroughs is a poet and short story creator whose work has appeared in online literary sites such as Agape Review, Clayjar Review, Pure in Heart Stories and Faith and Hope & Fiction. His first collection of poetry is published as Where Do My Words Go? Bryant lives with his wife Ruth and three cats in Upstate South Carolina.
Bryant's other work on Foreshadow: The Widow Whose Son Lived (Fiction, July 2022) The Youngest Day (Poetry, November 2022) The Widow's Psalm (Poetry, February 2023) The Leper and the Healer (Fiction, May 2023) Pearls of Ignatius (Poetry, August 2023) Song of the Star (Poetry, December 2023) A Long Walk Toward God (Poetry, January 2024) All the Dead Heard His Voice (Poetry, March 2024) Letters from Heaven (Poetry, June 2024) By Desi Ana Sartini Light stretches, rolling out across the land, warming the face of the earth, raising a gentle breeze, soft upon our skin. Robin and rooster proclaim the morning, stirring us to joy of day. A glow shines from the heart of the garden, drawing, summoning, growing in radiant splendor until it outshines the risen sun, and the whole garden blazes with glory. Our heart leaps. For You come, descending in all Your fullness. Sand melts to sapphire glass beneath Your feet. The host heaven assembles all around. Your voice rushes through the garden a thundering waterfall: “I take the earth to be My kingdom, the image bearer to be the steward of my rule. I set my throne in Eden, the place of my rest.” A chorus rises all around, as all the host of heaven proclaim: “Holy, holy, holy is the Eternal One, Yahweh Almighty! The whole earth is full of Your glory!” We bow in the dust of the earth, face to clay: “You have created all things. Worthy, worthy, worthy is our God and King to receive all worship, for in You we live and move and have our being.” Your voice pours over us, a rushing stream: “Rise, my child, image-bearer.” We rise and look You full in the face. Your face! Radiant beauty from which all others echo. Eyes that see straight to the depths of our soul. Ears that hear the faintest whispers of our heart. Mouth that speaks mountains, subdues seas, kindles stars, and anoints us bearers of that image. Rapt we stand, a moment, a day, a thousand years, who can say? Glory inexhaustible-- what time could suffice to behold it? Before You, a diamond of infinite facets would hold no allure. You speak: “Be fruitful and multiply! Fill the earth and subdue it. For My kingdom is your kingdom, My rule, your rule. Where you dwell, I will dwell, and in Me you will find your rest as you carry out My rule on the earth.” Desi Ana Sartini writes from SE Asia, where she has immersed herself in language. She studies Malay literature by day, Hebrew poetry by night and cake-making on the weekends. You can read more of her work at www.breathanddust.com.
Desi's other work on Foreshadow: The Sixth Day (Poetry, November 2024) Defiant Hope (Fiction, October 2024) By R. M. Francis My faith became gigantic … we felt him walking among us: deep in man the love of thin places. To touch its stones is prayer, is momentary communion; the thin place multiplies. R. M. Francis is Senior Lecturer and Course Leader in Creative and Professional Writing at the University of Wolverhampton. He's the author of two novels, Bella and The Wrenna, published with Wild Pressed Books, and a poetry collection, Subsidence, with Smokestack Books. In 2019 he was the inaugural David Bradshaw Writer in Residence at the University of Oxford and in 2020 was Poet in Residence for The Black Country Geological Society. In 2023 Poe Girl Publishing produced his collection of horror stories, Ameles / Currents of Unmindfulness. His academic research focuses on place-identity in the Black Country and has been published in a number of edited collections; he co-edited the book, Smell, Memory and Literature in the Black Country (Palgrave McMillan) with Professor Sebastian Groes.
Francis' other work on Foreshadow: Man of Sorrows (Poetry, October 2024) Prayerfully (Poetry, October 2024) Anthony (Poetry, November 2024) Shroud (Poetry, November 2024) By David Athey Something about the brain in mystical water, and cod, scrod, olive oil, and olives. There was a rain- bow trout, or salmon, lentils, pumpkin seeds and pumpernickel bread, and red wine (of course) and a refrain: Brain go to Kitchen Kitchen go to Heaven Heaven feed Brain Brain go to Kitchen Kitchen go to Heaven Heaven feed Brain (repeated 4 or 5 times) (maybe 7) How much refrain is too much? Cabbage, asparagus, broccoli, kale, all those leafy greens-- I couldn’t help me, myself, and I, and Brain said: More! Refrain! 7 times, 7 times more! Collard greens, beets, mustard greens, lima beans, lemony lime and leapin’ salmon glazing the sky! Understand? Brain. Kitchen. Something…mystical water…more… Heaven…more…more… (less refrain) Sigh. David Athey’s poems, stories, essays, and reviews have appeared in various literary journals and magazines, including Christianity & Literature, Iowa Review, Dappled Things, Berkeley Fiction Review, Windhover, Relief, Time of Singing, and Harvard Review. Athey lives in South Florida on a small lake with large iguanas. His books, including Art is for The Artist, are available at Amazon.
David's other work on Foreshadow: That Poet (Poetry, October 2024) Our Days in Rays of Light (Poetry, November 2024) By R. M. Francis We were saved but lost – the novel and known, the quick-closed and the slow-open – and with nowhere to belong, but to follow fire and cloud. Imagine the pain of Newton’s graceful unblinding. Through level and all levels, gestalt down to the parts. All things built and building through friction and flow - we had to learn to unknow. Corpus Callosum: a rich wooden staff puncturing surf into crossing point – to put down a stone and reveal a spiral stepping. R. M. Francis is Senior Lecturer and Course Leader in Creative and Professional Writing at the University of Wolverhampton. He's the author of two novels, Bella and The Wrenna, published with Wild Pressed Books, and a poetry collection, Subsidence, with Smokestack Books. In 2019 he was the inaugural David Bradshaw Writer in Residence at the University of Oxford and in 2020 was Poet in Residence for The Black Country Geological Society. In 2023 Poe Girl Publishing produced his collection of horror stories, Ameles / Currents of Unmindfulness. His academic research focuses on place-identity in the Black Country and has been published in a number of edited collections; he co-edited the book, Smell, Memory and Literature in the Black Country (Palgrave McMillan) with Professor Sebastian Groes.
Francis' other work on Foreshadow: Man of Sorrows (Poetry, October 2024) Prayerfully (Poetry, October 2024) Anthony (Poetry, November 2024) By Nadine Ellsworth-Moran I can sense you opening closets and cupboards, wandering forgotten hallways, testing doorknobs. Your fingertips graze my walls, read my Anaglypta like braille, memorize the shape of words, the words that shape me, your hands deftly pocket trinkets, break off pieces of memory, gather my idiosyncrasies, my gaze, whatever glitters, beguiles, haunts, along the way until your coat is weighted with so much of me— We carry one another in this way, neither complete for what the other has taken, or been given, each piece tender wrapped, nestled in ribshelves, a safe space near the hearth of our bodies where we keep warm, we flicker, embers banked for colder days, farther days, days when we cannot stay tucked inside ourselves in whispering conversation. Nadine Ellsworth-Moran lives in Georgia where she serves full time in ministry. She has a passion for writing and is fascinated by the stories of the modern South unfolding all around her as she seeks to bring everyone into conversation at a common table. Her essays and poems have appeared in Rust+Moth, Calla Press, Theophron, Interpretation, Ekstasis, Thimble, The Windhover and Kakalak, among others. She shares her home with her husband and four unrepentant cats.
Nadine's other work on Foreshadow: Eve, within (Poetry, November 2024) |
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