|
By Jane Blanchard upon returning to the Mayo Clinic in November 2016 “Am I a God near by, says the Lord, and not a God far off?” —Jeremiah 23:23 We walk in right before the service starts since eight o’clock is early, even with the change to Central Time. The font is just ahead, white marble like the one back home but smaller. Turning toward the altar, we select a bride-side pew as usual. Bell rung, those present stand as usual when servers, clergy enter. Rite I starts; the stained-glass windows brighten. Calmly we progress through collects, song, and lessons with the Order as our guide. We feel at home at Calvary Episcopal, but just. The fault is ours, not theirs; we both are just too comfortable with what is usual and proper at our own Good Shepherd home. The Gospel read and praised, the Rector starts a sermon on uncertain times, ends with the question, “Just or unjust—who are we?” For us, there is no easy answer. We find comfort in the creed and prayers said just before the Peace. Although we shake hands with the few around and smile as usual, you balk at introduction. The Rector starts announcements for the ones who call here home. Worldwide it seems the chickens have come home to roost. The larger Church needs more than we can ever hope to offer. Advent starts two weeks from now. Is God not more than just through Christ, no matter how unusual the challenges which each of us deals with? Collection taken, we continue with the Great Thanksgiving, meet and right like home. I sit; you choose to kneel as usual, the last time for a while. Come Tuesday we face surgery again. Some autumn! Just as my recovery concludes, yours starts. Communion goes as usual. Fed, we exit, with jackets zipped or buttoned, just as blessed as if at home. The future starts. A native Virginian, Jane Blanchard lives and writes in Georgia, USA.
This sestina (first published in Modern Age) is a part of Metes and Bounds (just released by Kelsay Books). It has been republished here with the author's permission.
0 Comments
By Desmond Kon “It is a happy thing that there is no royal road to poetry.” ~ Gerard Manley Hopkins No poet in this country cares for Hopkins, a faraway poet said. But for the sense of the utopian ideal in his Heaven-Haven. But for such an imagined good place-- was it also an epoch, some temporal state of mind, the psychology of the moment? Then emotion more like a fleeting feeling, then fleet of more of the same. Like holy love, heaven-sent. On feast days, beyond holy days of obligation. On Sundays, which are always feast days, didn’t we know? An accent on its significance, without ambiguity like a renewal of vows, forcefulness. Sacrosanctum Concilium, no. 106 Therein a gift of the Second Vatican Council: “Hence the Lord's day is the original feast day.” That was, is—will always be—poetry. That statement of truth, reclaimed like an eternal ictus. A fit of awakened memory, seizure, hint, sometimes admonition, and always, expressed intimation for all. Then, flight, as I said once, again. Then, church bells, once and for all. DESMOND Francis Xavier KON Zhicheng-Mingdé is the author of an epistolary novel, a quasi-memoir, two lyric essay monographs, four hybrid works, nine poetry collections and a creative guided journal. The former journalist has edited over 25 books and co-produced three audio books, several pro bono for non-profit organisations. Desmond is Senior Lecturer of Creative Writing and Publishing at Nanyang Technological University. He can be found at desmondkon.com.
By Joseph Teti At school, I’d study long into the nights until the library would close. When asked to leave, sometimes I’d be so stiff of neck from squinting over some assignment-texts, and so exhausted of brain-sweat, I would straighten up, and play a game with myself-- watching the reflection in the window; never looking down, but sorting the books; still gazing forward, packing up the bag; getting there blind and seeing, both at once; then I would hasten: the custodian was making his last rounds, and final call. Joseph Teti is an emerging poet from Hyattsville, MD. He is a recent graduate from Hillsdale
College, and a fierce defender of Platonism and Romanticism. Joseph's other work on Foreshadow: Napping (Poetry, August 2023) Ohio Turnpike (Poetry, September 2023) By Vern Fein He woke up in the dark and knew. He already knew but now New touched His face, moved His head slightly to the left, opened His eyes, a crack of dawn, a tiny crack of dawn spiked from the tomb door, soon footsteps, and He knew his own would walk eternally with the others. A recent octogenarian, Vern Fein has published over 250 poems/prose pieces on over 100 different sites. Some of his publications have been with Christian magazines like Heart of Flesh and Calla Lillies, and he is a retired pastor who writes both poems of faith and secular poems.
By Caroline Liberatore A stranger made himself a home by the sea and sang a serenade of harmonic breath, meekly rendered through a child's instrument. The gulls, mesmerized, enveloped the friend and his melody. Or perhaps, were themselves folding and unfolding in ecstasy. Such is the rare bliss of wordless sermons. That humble refrain, a mere sidewalk jingle, raptured their wings and carried them home. Caroline Liberatore is a poet from Cleveland, Ohio. She has also been published in Ekstasis Magazine and Ashbelt Journal.
Caroline's other work on Foreshadow: Library Liturgy (Poetry, February 2022) Ecology (Psalm 84) (Poetry, August 2022) Unearthings (Poetry, September 2022) April Snowfall, a Mercy (Poetry, April 2023) Grievances (Poetry, June 2023) By Royal Rhodes after Rainer Maria Rilke When was any human so awake as in the morning today? Not just bloom and brook but even the roof-beam delights. Its own age-hardened edge, the heavens high-lighted, finds its feeling: island, his answer, the world. All breathe and thank. O you anxieties of night, how traceless you sank. From gatherings of light was its darkening made, that itself so purely contradicts. Royal Rhodes taught religious studies for almost 40 years. His poems have appeared in various journals, including Ekstasis, Ekphrastic Review, The Seventh Quarry, and The Montreal Review, among others. His poetry and art collaborations have been published with The Catbird [on the Yadkin] Press in North Carolina.
Royal's other work on Foreshadow: A Road Through Ohio Spring (Poetry, April 2023) A Pilgrim's Song (Poetry, May 2023) Journey to Silence (Poetry, July 2023) Remember David (Poetry, July 2023) Magnolia (Poetry, October 2023) By Laurie Klein like a small body of water, reflective face, upturned: an entity of acceptance. Water embraces the sunken. The near-dying as well as the thriving stir, like plants practicing grace as they lean on the current. Let me be a haven, where shared sediments settle. Where buoyancy reasserts itself. Where you will beckon the weathered vessel, and I will coax the reluctant toe. We’ll soften the chipped margins of shells. Castoffs. The chronically stony. Encompassed, the survivor rises the way a trout breaks from silence, to surface, old hooks and lines ingrown, jaw half-trussed-- wounds revealed, by one seeking a witness. What was it the risen one said? Hark. Flow and do likewise. Laurie Klein is the author of Where the Sky Opens and Bodies of Water, Bodies of Flesh. A grateful recipient of the Thomas Merton Prize for Poetry of the Sacred, she lives in the Pacific Northwest and blogs, monthly, at lauriekleinscribe.com.
Laurie's other work on Foreshadow: Private, as the Small of a Back (Poetry, October 2023) Predawn (Poetry, October 2023) Uphill (Poetry, October 2023) By Erin Clark There go the ships, at least the ones not proving too elderly to sail or getting stuck in the Panama Canal. There go the ships, container-laden, or passenger’ed, the stout car-ferries that zig-zag across glacial slopes awash in tourists, waves. There go the ships: crabbers, lobsterers, harvesters of tuna by the billion. There go the ships bedecked with naval hubris, above the surface and below. There go the ships, yachting-gleaming; there too go the Canadian canoes. I’ve missed a few. There’s always more, a coracle with a rough oar, a catamaran. There go the ships: and there is that leviathan. * Psalm 104:26 there go the ships and there is that Leviathan which Thou hast made to play [in the great and wide sea] Erin Clark (she/her) is an American writer & priest living in London. Her work has appeared in publications in the US, UK and Canada, including The Selkie, the Oxonian Review, the New Critique, Free Verse Revolution, The Primer, Over/Exposed, the Crank, Geez, About Place and elsewhere. Her debut chapbook Whom Sea Left Behind will be out in 2023 (Alien Buddha Press). You can find her online at emclark.co or on Twitter @e_m_clark.
Erin's other work on Foreshadow: Found poem: upon arrival at the Abbey (Poetry, July 2023) Orchard labyrinth, overgrown (Poetry, August 2023) |
Categories
All
Archives
November 2025
|
RSS Feed