By Susan Yanos From the kitchen window I watch as doves waddle clown-like round puddles of corn spilled near the grain pit, then fly into vents gaping on bins, or from guy wire to wire like trapeze artists with toes reaching sure for lines stretched taut from grain leg to the ground. No net below. As I go about my chores, I hear them inside the bins, invisible feathers whispering against metal walls. When I straighten from pulling weeds in the garden, mind elsewhere, their cooing warbles me back: dirt smudged on knees, green juice staining fingertips, sweat at hairline. Sometimes they wheel above barns and house, gray discs in the sun. Flying rats, our hand mutters, and begs to shoot at them, tired of smeared windshields and levers. This year an albino has bred white under dusty plumage of its kin. Over our farm’s endless browns and dull greens, their beauty wings. They were the first to die after the hawk moved in. Our black-and-tan found a carcass in the yard and brought it to the back door, bloodied white feathers fringing her mouth. Yesterday I found another near the chicken coop, eyeless. I check the latch before I leave, scanning the sky. Now no birds clown round the grain pit nor coo from the wires. Feeders near windows sit full; suet cakes hang whole in the lilacs since all finches and cardinals abandoned us. I must do my chores with no feather to change my sight, wondering why it is I fed doves, drawing hawk. Today a shape appeared in the lilac’s belly: a bag blown in by night, I thought, or rotted garbage. But it turned, revealing beak hooked and smooth, and looked at me. Though I looked hard, I could not see beyond those eyes. Not moving, its talons gut my tamed truths, expose my soul. Susan Yanos is the author of The Tongue Has No Bone, a book of poems, and Woman, You Are Free: A Spirituality for Women in Luke; and is co-editor and co-author of Emerging from the Vineyard: Essays by Lay Ecclesial Ministers. Her poems, essays and articles have appeared in several journals. A former professor of writing, literature and ministry of writing, she now serves as a spiritual director, retreat leader and freelance editor. She lives with her husband on their farm in east-central Indiana (US), where she creates art quilts and tends to her hens, fruit trees and gardens.
'God Who Sent the Dove Sends the Hawk' was first published in Saint Katherine Review before appearing in The Tongue Has No Bone.
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